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PEARL CLEAGE’S A SONG FOR CORETTA: CULTURAL PERFORMATIVITY AS HISTORIOGRAPHICAL DOCUMENTATION

Long, Khalid Yaya

Abstract Details

2011, Master of Arts, Miami University, Theatre.
This creative thesis functions as a two-part exploration of locating the intersection of theory and practice as it relates to the overlapping of theatre, performance, and African American studies. This thesis was accompanied with Miami University’s 2010 production of A Song for Coretta. With a specific focus on playwright Pearl Cleage and her play, A Song for Coretta, this thesis examines how African American history, culture, and experiences become an integral part of the total theatre process; be it playwriting, performing, researching, or directing.
Paul Bryant-Jackson, PhD (Advisor)
Ann Elizabeth Armstrong, PhD (Committee Member)
Cheryl L. Johnson, PhD (Committee Member)
Denise Baszile, PhD (Committee Member)

Recommended Citations

Citations

  • Long, K. Y. (2011). PEARL CLEAGE’S A SONG FOR CORETTA: CULTURAL PERFORMATIVITY AS HISTORIOGRAPHICAL DOCUMENTATION [Master's thesis, Miami University]. OhioLINK Electronic Theses and Dissertations Center. http://rave.ohiolink.edu/etdc/view?acc_num=miami1311293741

    APA Style (7th edition)

  • Long, Khalid. PEARL CLEAGE’S A SONG FOR CORETTA: CULTURAL PERFORMATIVITY AS HISTORIOGRAPHICAL DOCUMENTATION. 2011. Miami University, Master's thesis. OhioLINK Electronic Theses and Dissertations Center, http://rave.ohiolink.edu/etdc/view?acc_num=miami1311293741.

    MLA Style (8th edition)

  • Long, Khalid. "PEARL CLEAGE’S A SONG FOR CORETTA: CULTURAL PERFORMATIVITY AS HISTORIOGRAPHICAL DOCUMENTATION." Master's thesis, Miami University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=miami1311293741

    Chicago Manual of Style (17th edition)