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bgsu1112629403.pdf (1.27 MB)
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Visualizing Levinas: Existence and Existents Through Mulholland Drive, Memento, and Vanilla Sky
Author Info
Baumgartner, Holly Lynn
Permalink:
http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1112629403
Abstract Details
Year and Degree
2005, Doctor of Philosophy (Ph.D.), Bowling Green State University, English/Rhetoric and Writing.
Abstract
This dissertation engages in an intentional analysis of philosopher Emmanuel Levinas’s book Existence and Existents through the reading of three films: Memento (2001), Vanilla Sky (2001), and Mulholland Drive, (2001). The “modes” and other events of being that Levinas associates with the process of consciousness in Existence and Existents, such as fatigue, light, hypostasis, position, sleep, and time, are examined here. Additionally, the most contested spaces in the films, described as a “Waking Dream,” is set into play with Levinas’s work/ The magnification of certain points of entry into Levinas’s philosophy opened up new pathways for thinking about method itself. Philosophically, this dissertation considers the question of how we become subjects, existents who have taken up Existence, and how that process might be revealed in film. Additionally, the importance of Existence and Existents both on its own merit and to Levinas’s body of work as a whole, especially to his ethical project is underscored. A second set of entry points are explored in the conclusion of this dissertation, in particular how film functions in relation to philosophy, specifically that of Levinas. What kind of critical stance toward film would be an ethical one? Does the very materiality of film, its fracturing of narrative, time, and space, provide an embodied formulation of some of the basic tenets of Levinas’s thinking? Does it create its own philosophy through its format? And finally, analyzing the results of the project yielded far more complicated and unsettling questions than they answered. These far more interesting speculations had seemingly little to do directly with the book or the films under discussion, and instead challenged certain understandings of genre, method, and theory. The purpose became a voyage through a vesica piscis of multiply contested spaces: philosophy, film, ethics, and the processes of theory-making.
Committee
Ellen Berry (Advisor)
Pages
219 p.
Keywords
Emmanuel Levinas
;
Philosophy
;
film
;
cinema
;
noir
;
neo-noir
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Citations
Baumgartner, H. L. (2005).
Visualizing Levinas: Existence and Existents Through Mulholland Drive, Memento, and Vanilla Sky
[Doctoral dissertation, Bowling Green State University]. OhioLINK Electronic Theses and Dissertations Center. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1112629403
APA Style (7th edition)
Baumgartner, Holly.
Visualizing Levinas: Existence and Existents Through Mulholland Drive, Memento, and Vanilla Sky.
2005. Bowling Green State University, Doctoral dissertation.
OhioLINK Electronic Theses and Dissertations Center
, http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1112629403.
MLA Style (8th edition)
Baumgartner, Holly. "Visualizing Levinas: Existence and Existents Through Mulholland Drive, Memento, and Vanilla Sky." Doctoral dissertation, Bowling Green State University, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1112629403
Chicago Manual of Style (17th edition)
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Document number:
bgsu1112629403
Download Count:
13,647
Copyright Info
© 2005, all rights reserved.
This open access ETD is published by Bowling Green State University and OhioLINK.