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Worlds Will Live, Worlds Will Die: Myth, Metatext, Continuity and Cataclysm in DC Comics’ Crisis on Infinite Earths

Murdough, Adam C.
http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1151329477

Abstract Details

2006, Master of Arts (MA), Bowling Green State University, Popular Culture.
In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self-rehistoricization and renewal. The third chapter enumerates developments in the comic-book industry and superhero fandom in the past twenty years that are attributable to the influence of Crisis on Infinite Earths. My final assessment is that although Crisis on Infinite Earths failed in some respects to have its intended effect on “the DC Universe” and its readership, it did serve as a powerful mythological mediator in the introduction of new ways for superhero stories to interact with their own fictional and historical contexts and with their audience, and it fostered new generic expectations and reading practices among the superhero fan community.
Angela Nelson (Advisor)
152 p.
Literature, American
Crisis on Infinite Earths; DC Comics; superhero; continuity; apocalypticism; mythology; historicism

Recommended Citations

Citations

  • Murdough, A. C. (2006). Worlds Will Live, Worlds Will Die: Myth, Metatext, Continuity and Cataclysm in DC Comics’ Crisis on Infinite Earths [Master's thesis, Bowling Green State University]. OhioLINK Electronic Theses and Dissertations Center. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1151329477

    APA Style (7th edition)

  • Murdough, Adam. Worlds Will Live, Worlds Will Die: Myth, Metatext, Continuity and Cataclysm in DC Comics’ Crisis on Infinite Earths. 2006. Bowling Green State University, Master's thesis. OhioLINK Electronic Theses and Dissertations Center, http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1151329477.

    MLA Style (8th edition)

  • Murdough, Adam. "Worlds Will Live, Worlds Will Die: Myth, Metatext, Continuity and Cataclysm in DC Comics’ Crisis on Infinite Earths." Master's thesis, Bowling Green State University, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1151329477

    Chicago Manual of Style (17th edition)

bgsu1151329477
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© 2006, all rights reserved.
This open access ETD is published by Bowling Green State University and OhioLINK.