Science fiction often functions as a narrative that depicts the current climate of the socio-historical context in which it is created. It may be argued that science fiction represents an effective vehicle for the communication of concepts important in queer theory, including identity development, power and privilege, gender, reproduction, and technophobia. It is within these conceptions that the recently reimagined science fiction television series, Battlestar Galactica (2003-2009), may be viewed as a commentary on current fears and struggles.
In this thesis I review the ways in which Cylons, as hypersexualized beings, use their sexuality to manipulate humanity, and in doing so demonstrate the manner through which sex may influence identity. I argue that Cylon identity development mirrors the queer coming out process in contemporary society. Moreover, I argue that the conflict between the Cylons and humanity in Battlestar Galactica parallels the contemporary ideological debate between the essentialist and constructivist positions on identity constitution.
Furthermore, I evaluate the power dynamic within the heteronormative family through the framework of Françoise Vergès’ theory of the colonial family romance. Central to this analysis is the concept of reproduction, and I propose that the Cylon attempt to control reproduction through technology defines them as queer and as a perceived threat to the heteronormativity of humanity. Battlestar Galactica may be seen as exemplifying the queering of the power relationship between Cylons and humans, through a blurring of distinctions between the two, thereby implicitly raising questions regarding the constitution and existence of identity.
The series ultimately concretizes the perceived threats technological advances posed to the patriarchal, heteronormative family. Just as the humans of Battlestar Galactica fear the unrestrained freedom of the Cylons will lead to their extinction, so too do many in the current, dominant society fear their own obsolescence when faced with movements toward transhumanistic ideals.
In science fiction, frequently the monstrous, the outsiders, and the problematic are presented. Battlestar Galactica is no exception to this. However, doing so in a way that honestly and openly reflects real social concerns is less common. It is in that way that Battlestar Galactica is exceptional and merits academic consideration.