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Cullen Dissertation 3.21.2022-1.pdf (1.39 MB)

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The Viewpoints: A Postmodern Actor Training for a Postmodern Theatre

Cullen, Steven Daniel
http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1647530073090223

Abstract Details

2022, Doctor of Philosophy (Ph.D.), Bowling Green State University, Theatre and Film.
The Six Viewpoints, a set of performance training techniques devised by choreographer Mary Overlie, emerged from the post-modern dance movement of the 1960s. While dancemakers whose work may be classified as post-modern (or alternatively, postmodern) have a complicated relationship to other artistic postmodernisms, not to mention the economic and social conditions of postmodernity, Overlie explicitly identifies her work as postmodern. Similarly, Anne Bogart, whose revision, rearrangement, and self-described “theft” of Overlie’s work in the form of the Viewpoints method of actor training, credits postmodern pioneers in the arts – Overlie, John Cage, Robert Rauschenberg, Yvonne Rainer – for their influence on her teaching and her directing. Though Bogart’s Viewpoints have received considerably more attention in the popular media, little scholarly attention has been given to either Bogart or Overlie. This dissertation investigates both iterations of viewpoints training to determine their practical, aesthetic, and philosophical relationship to one another. In doing so, it interrogates Overlie and Bogart’s claims that the Viewpoints are a postmodern mode of performance training. I analyze Overlie and Bogart’s writings in which they outline their techniques as well as interviews they and their students have given to articulate their similarities and differences, placing them each alongside the ongoing discourses of postmodernism and poststructuralism. Finally, I demonstrate the ways in which these trainings provide actors with a set of skills which aid in the staging of postmodern performance texts. I argue that the postmodern narrative structures of María Irene Fornés’ Fefu and Her Friends and Suzan-Lori Parks’ The Death of the Last Black Man in the Whole Entire World, and conceptions of character in Sarah Ruhl’s Eurydice, James Ijames’ White, and Sarah Kane’s 4’48 Psychosis create problems for actors who lack the skills that Viewpoints training develops.
Jonathan Chambers, Ph.D. (Advisor)
Craig Zirbel, Ph.D. (Other)
Cynthia Baron, Ph.D. (Committee Member)
Angela Ahlgren, Ph.D. (Committee Member)
239 p.
Theater
Postmodern Performance; Viewpoints; Bogart, Anne; Overlie, Mary; Actor Training

Recommended Citations

Citations

  • Cullen, S. D. (2022). The Viewpoints: A Postmodern Actor Training for a Postmodern Theatre [Doctoral dissertation, Bowling Green State University]. OhioLINK Electronic Theses and Dissertations Center. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1647530073090223

    APA Style (7th edition)

  • Cullen, Steven. The Viewpoints: A Postmodern Actor Training for a Postmodern Theatre. 2022. Bowling Green State University, Doctoral dissertation. OhioLINK Electronic Theses and Dissertations Center, http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1647530073090223.

    MLA Style (8th edition)

  • Cullen, Steven. "The Viewpoints: A Postmodern Actor Training for a Postmodern Theatre." Doctoral dissertation, Bowling Green State University, 2022. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1647530073090223

    Chicago Manual of Style (17th edition)

bgsu1647530073090223
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This open access ETD is published by Bowling Green State University and OhioLINK.