This thesis focuses on the expressionist abstraction of bodily forms through the process of decay. The multiple states of each decaying form show the gradual progression of disintegration over time. Because decay can occur at uncontrollable rates, it is a process that depends on both the amount of time and exposure to the environment. As each image breaks down, the print matrix also begins to deteriorate and weaken as imagery is redrawn and removed. The once vivid and almost seductive qualities of the plate or stone begin to soften and fade away as each state is developed. Each suite of images depicts a biomorphic form that resembles ribs, musculature, organs or skin. I am fascinated by the natural repetition of each curvilinear rib that forms the volumetric structure of a rib cage.
Each image has been printed in the traditional media of lithography, intaglio, serigraphy or relief. The printing methodology for this thesis was to combine at least two of the traditional print media in each printed state. Lithography and intaglio were found to be appropriate choices for this series of prints because they are both versatile media that can be easily reworked in multiple states.