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From Postmodernism to Psychoanalysis: Thomas Pynchon’s The Crying of Lot 49

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2011, MA, Kent State University, College of Arts and Sciences / Department of English.
Thomas Pynchon’s The Crying of Lot 49 is a critique of two dominant schools of literary-cultural theory. Jean-François Lyotard's postmodern theory is challenged by Pynchon's depiction of a continuous but creative mourning. Furthermore, psychoanalytic theory is taken up as a subject in the novel whereby the domain of psychoanalysis is reworked and reconstituted as narrative form. In charting the move from postmodernism to psychoanalysis, I argue that the novel has created a new kind of continuous and circuitous storytelling.
Tammy Clewell (Advisor)
Kevin Floyd (Committee Member)
Mark Bracher (Committee Member)
66 p.

Recommended Citations

Citations

  • Adams, B. N. (2011). From Postmodernism to Psychoanalysis: Thomas Pynchon’s The Crying of Lot 49 [Master's thesis, Kent State University]. OhioLINK Electronic Theses and Dissertations Center. http://rave.ohiolink.edu/etdc/view?acc_num=kent1302656178

    APA Style (7th edition)

  • Adams, Brittany. From Postmodernism to Psychoanalysis: Thomas Pynchon’s The Crying of Lot 49. 2011. Kent State University, Master's thesis. OhioLINK Electronic Theses and Dissertations Center, http://rave.ohiolink.edu/etdc/view?acc_num=kent1302656178.

    MLA Style (8th edition)

  • Adams, Brittany. "From Postmodernism to Psychoanalysis: Thomas Pynchon’s The Crying of Lot 49." Master's thesis, Kent State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=kent1302656178

    Chicago Manual of Style (17th edition)