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Metal Music and Masculinity in the 1980s: Cultural Markers for the End of the Century

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2016, BA, Kent State University, College of Arts and Sciences / Department of History.
The growth and splintering of the heavy metal music industry resulted in the subgenre "lite" metal, who incorporated androgyny into their style and imagery. The androgyny of this subgenre, the emergence of Music Television resulting in questions of authenticity, and the masculinist culture surrounding heavy metal marginalized female musicians in the rock music industry. Female musicians do not receive credibility and respect as metal musicians unless they conform to the masculinist standards perserved by heavy metal audiences.
Kenneth Bindas (Advisor)
Bradley Keefer (Committee Member)
Haridakis Paul (Committee Member)
89 p.

Recommended Citations

Citations

  • Hall, F. L. (2016). Metal Music and Masculinity in the 1980s: Cultural Markers for the End of the Century [Undergraduate thesis, Kent State University]. OhioLINK Electronic Theses and Dissertations Center. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1481478280201701

    APA Style (7th edition)

  • Hall, Frances. Metal Music and Masculinity in the 1980s: Cultural Markers for the End of the Century. 2016. Kent State University, Undergraduate thesis. OhioLINK Electronic Theses and Dissertations Center, http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1481478280201701.

    MLA Style (8th edition)

  • Hall, Frances. "Metal Music and Masculinity in the 1980s: Cultural Markers for the End of the Century." Undergraduate thesis, Kent State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1481478280201701

    Chicago Manual of Style (17th edition)