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Texts, Sex, and Perversion on the Early Modern Stage

Francis, James

Abstract Details

2011, Master of Arts, Miami University, English.
This thesis attempts a synthesis of bibliographic criticism and queer theory by examining representations of texts as eroticized objects in early modern drama. Through analyses of plays by Marlowe, Shakespeare, Middleton, and Beaumont & Fletcher, the thesis demonstrates how the stage collapses sex into writing, reading, and bookmaking. Early modern drama breaks down the distinction between the “real” and the “metaphoric” by interlocking its discourses about sex and texts. By locating textual objects in a matrix of eroticized acts of writing and reading, the stage reveals an early modern tendency to organize sex, desire, and pleasure around objects and acts rather than identities.
James Bromley, PhD (Committee Chair)
Kaara Peterson, PhD (Committee Member)
Elisabeth Hodges, PhD (Committee Member)
54 p.

Recommended Citations

Citations

  • Francis, J. (2011). Texts, Sex, and Perversion on the Early Modern Stage [Master's thesis, Miami University]. OhioLINK Electronic Theses and Dissertations Center. http://rave.ohiolink.edu/etdc/view?acc_num=miami1309811112

    APA Style (7th edition)

  • Francis, James. Texts, Sex, and Perversion on the Early Modern Stage. 2011. Miami University, Master's thesis. OhioLINK Electronic Theses and Dissertations Center, http://rave.ohiolink.edu/etdc/view?acc_num=miami1309811112.

    MLA Style (8th edition)

  • Francis, James. "Texts, Sex, and Perversion on the Early Modern Stage." Master's thesis, Miami University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=miami1309811112

    Chicago Manual of Style (17th edition)