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Re:Visions : A Mother's Secondary Images

Abstract Details

2014, Master of Arts (MA), Ohio University, Art History (Fine Arts).
Informed by photographic history, theory, and various studies and practices that surround human memory, this study examines the ways that sequential pairs of snapshot photographs both inform and influence the content of memories. The study is firmly grounded in the practice of snapshot photography, examined through an investigation into Kodak’s history and the use of the photographic archive in the narratives surrounding collective memory within the family. This study is informed by artists working with sequential images, a reflection on the role of the photographer as the documentarian of family life, and the arguments surrounding the snapshot’s authenticity and fidelity to the past that it represents. A reflection on a collection of personal sequential snapshots calls the reliability of both memory and the snapshot’s ability to “capture” it into question. Ultimately, the transformation that occurs as the past is recorded through memory or photography inevitably alters its contents.
Jennie Klein, Dr. (Committee Chair)
Jody Lamb, Dr. (Committee Member)
John Sabraw, M.F.A. (Committee Member)
110 p.

Recommended Citations

Citations

  • Shanks, S. M. (2014). Re:Visions : A Mother's Secondary Images [Master's thesis, Ohio University]. OhioLINK Electronic Theses and Dissertations Center. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1417785128

    APA Style (7th edition)

  • Shanks, Sarah. Re:Visions : A Mother's Secondary Images. 2014. Ohio University, Master's thesis. OhioLINK Electronic Theses and Dissertations Center, http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1417785128.

    MLA Style (8th edition)

  • Shanks, Sarah. "Re:Visions : A Mother's Secondary Images." Master's thesis, Ohio University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1417785128

    Chicago Manual of Style (17th edition)