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Where is the public in public art? A case study of Millennium Park

Conard, Corrinn E

Abstract Details

2008, Master of Arts, Ohio State University, Arts Policy and Administration.
For centuries, public art has been a popular tool used to celebrate heroes, commemorate historical events, decorate public spaces, and attract tourists. Public art has been created by the most renowned artists and commissioned by powerful political leaders. But, where is the public in public art? What is the role of that group believed to be the primary client of such public endeavors? How much power does the public have? Should they have? Do they want? In this thesis, I address these and other related questions through a case study of Millennium Park in Chicago. In contrast to other studies on this topic, this thesis focuses on the perspectives and opinions of the public; a group which I have found to be scarcely represented in the literature about public participation in public art.
James Sanders, III (Advisor)
214 p.

Recommended Citations

Citations

  • Conard, C. E. (2008). Where is the public in public art? A case study of Millennium Park [Master's thesis, Ohio State University]. OhioLINK Electronic Theses and Dissertations Center. http://rave.ohiolink.edu/etdc/view?acc_num=osu1198707193

    APA Style (7th edition)

  • Conard, Corrinn. Where is the public in public art? A case study of Millennium Park. 2008. Ohio State University, Master's thesis. OhioLINK Electronic Theses and Dissertations Center, http://rave.ohiolink.edu/etdc/view?acc_num=osu1198707193.

    MLA Style (8th edition)

  • Conard, Corrinn. "Where is the public in public art? A case study of Millennium Park." Master's thesis, Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1198707193

    Chicago Manual of Style (17th edition)