This thesis explores how narrative is constructed within a single image composition and how it can inform contemporary approaches using the tools of 3D computer graphics and interactive technologies. Through a contextual review of classical painting and sculpture, a set of design principles is developed for a better understanding of the process for constructing complex narrative in purely visual form. These principles focus on how spatial relationships can influence a viewer’s understanding of the temporal structure of a story. The review continues with an exploration of how these principles can be adopted and augmented in new forms of digital media.
The second stage of research was to develop a project that presents a narrative in a digital 3D space that allows viewers to actively participate in the process of observing and reconstructing the narrative. By focusing on story and utilizing the design principles of single image complex narrative, a real-time 3D composition was created with a new system for engaging the viewer called the Reactive Frame. The result is a hybrid work that creates a dialogue between classical traditions of narrative in composition and modern techniques using computer graphics and real-time reaction to the viewer.