The motivation for choosing this topic comes directly from Alfred Cortot's edition of the Chopin Etudes, in which he explains the technical difficulties and provides some possible solutions for each of the etudes. This kind of analysis has never been written about Rachmaninoff's Rhapsody on a Theme by Paganini. This is a work which one must study extensively and practice accurately in order to give an exquisite performance. Chapter Two explores Rachmaninoff's role as a composer and a pianist. The year 1917 was the turning-point in Rachmaninoff's life, not only causing his exile, but also creating his new pursuit--as a concerto virtuoso in the newland. The discussion mainly focuses on his becoming a concert pianist and on his unique piano mastery.
Chapter Three presents solutions for technical difficulties in each variation of the Paganini Rhapsody, solutions that will help to build piano playing in a natural way. The technical challenges in this composition include:
1. scales
2. staccato passages in single-notes, double-notes, octaves, chordal patterns
3. arpeggio passages
4. rapid sixteenth-note passages
5. octave and chordal patterns
6. alternating patterns in single-notes, double-notes, octaves, chordal patterns
Because of the wide range of tempi, these technical difficulties appear in diverse combinations, often requiring considerable virtuosity. As a frame of reference for these solutions, I have included principles of playing the piano that are the most useful to me and that form the basic of my piano technique. This will provide the readers with practice methods that will be helpful in this formidable piece as well as others. My belief is that technique functions as a tool and its purpose is to fulfill the musical expression.