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BehnNicoleAnne2004 mt.pdf (984.78 KB)
ETD Abstract Container
Abstract Header
Content of secondary applied instrumental methods courses at selected colleges and universities
Author Info
Behn, Nicole Anne
Permalink:
http://rave.ohiolink.edu/etdc/view?acc_num=osu1406631556
Abstract Details
Year and Degree
2004, Master of Arts, Ohio State University, Music.
Abstract
This thesis investigates the structure and curriculum of the secondary applied instrumental methods courses at various universities, sometimes just called “methods” or “techniques” courses. It addresses the following questions: How should these courses be structured? Who should teach these courses? On what should the curriculum of these courses focus? The study included brass, woodwind, and percussion classes. After reading related literature on the subject, I gathered data in two ways: First, I devised a survey to question area music teachers about their own perceptions of the course when they took it at their respective colleges and universities. Second, I contacted colleges and universities throughout the state of Ohio requesting information concerning the structure and curriculum of their courses, as well as requesting a copy of the course syllabus. After analyzing the results, I found that most schools organize the course by instrument family, with each family receiving one or two quarters or semesters of instruction. Courses are equally likely to be taught by applied performance faculty as music education faculty, and while overall there were more courses taught by professors than by graduate teaching associates, the later the graduation date, the more likely a student is to have been taught by a graduate student. Most brass and woodwind methods courses focus on teaching basic skills such as embouchure formation, hand/body position, teaching tone production, diagnosis of performance problems, knowledge of playing ranges and knowledge of fingerings. Many survey participants indicated that they would have liked more time overall in their methods classes, especially with particular instruments such as the double reeds. They also indicated a desire for more training on basic instrument repair. Students also indicated that little attention was given to arranging music, transpositions, and evaluating method books, however, some of these topics are covered in other courses. With regard to the percussion classes, respondents indicated that the majority of class time was spent learning snare drum and rudiments. Little attention was given to drum set and auxiliary percussion instruments. The amount of time dedicated to mallet instruments and timpani increased with a later graduation date. Students again mentioned an increased need for knowledge of basic maintenance and repairs and evaluation of method books.
Committee
Patricia Flowers (Advisor)
James Akins (Committee Member)
Jacqueline Henninger (Committee Member)
Pages
76 p.
Subject Headings
Music
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EndNote
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Citations
Behn, N. A. (2004).
Content of secondary applied instrumental methods courses at selected colleges and universities
[Master's thesis, Ohio State University]. OhioLINK Electronic Theses and Dissertations Center. http://rave.ohiolink.edu/etdc/view?acc_num=osu1406631556
APA Style (7th edition)
Behn, Nicole.
Content of secondary applied instrumental methods courses at selected colleges and universities.
2004. Ohio State University, Master's thesis.
OhioLINK Electronic Theses and Dissertations Center
, http://rave.ohiolink.edu/etdc/view?acc_num=osu1406631556.
MLA Style (8th edition)
Behn, Nicole. "Content of secondary applied instrumental methods courses at selected colleges and universities." Master's thesis, Ohio State University, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=osu1406631556
Chicago Manual of Style (17th edition)
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Document number:
osu1406631556
Download Count:
137
Copyright Info
© 2004, all rights reserved.
This open access ETD is published by The Ohio State University and OhioLINK.