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The Controlled Indeterminacy in Lutoslawski's Cello Concerto

Abstract Details

2019, Doctor of Musical Arts, Ohio State University, Music.
Since 1960, Lutoslawski started to use the musical technique of controlled indeterminacy in his Jeux venitiens, this musical technique had become one of the most crucial terms linked to him. After the premiere of his Concerto for Cello and Orchestra (Cello Concerto) in 1971, this piece had become one of his most celebrated works. This document introduces Lutoslawski’s personal musical style and analyzes the Cello Concerto by using all of his personal musical techniques.
Jan Radzynski (Advisor)
David Clampitt (Committee Member)
Anna Gawboy (Committee Member)
53 p.

Recommended Citations

Citations

  • Shen, S. (2019). The Controlled Indeterminacy in Lutoslawski's Cello Concerto [Doctoral dissertation, Ohio State University]. OhioLINK Electronic Theses and Dissertations Center. http://rave.ohiolink.edu/etdc/view?acc_num=osu1574713314501106

    APA Style (7th edition)

  • Shen, Shuo. The Controlled Indeterminacy in Lutoslawski's Cello Concerto. 2019. Ohio State University, Doctoral dissertation. OhioLINK Electronic Theses and Dissertations Center, http://rave.ohiolink.edu/etdc/view?acc_num=osu1574713314501106.

    MLA Style (8th edition)

  • Shen, Shuo. "The Controlled Indeterminacy in Lutoslawski's Cello Concerto." Doctoral dissertation, Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1574713314501106

    Chicago Manual of Style (17th edition)