Skip to Main Content
 

Global Search Box

 
 
 
 

ETD Abstract Container

Abstract Header

Self-Inclusion of the Queer Body in Barbara Hammer's 'Superdyke Meets Madame X' (1975)

Abstract Details

2021, Bachelor of Fine Arts (BFA), Ohio University, Film.
Barbara Hammer, a trailblazing figure of queer and feminist experimental filmmaking, exemplifies the alternative cinema proposed by Laura Mulvey in her seminal essay, 'Visual Pleasure and Narrative Cinema.' By breaking down the formal techniques used in Hammer's 1975 film 'Superdyke Meets Madame X,' this paper seeks to emphasize how Hammer's deliberate inclusion of her own queer body calls out and subverts the conventions established by a mainstream cinema dominated by the patriarchy's male gaze.
Steven Ross (Advisor)
Lindsey Martin (Committee Chair)
Erin Schlumpf (Committee Member)
David Colagiovanni (Committee Member)
27 p.

Recommended Citations

Citations

  • Plumley, B. (2021). Self-Inclusion of the Queer Body in Barbara Hammer's 'Superdyke Meets Madame X' (1975) [Undergraduate thesis, Ohio University]. OhioLINK Electronic Theses and Dissertations Center. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1620157460893929

    APA Style (7th edition)

  • Plumley, Bailey. Self-Inclusion of the Queer Body in Barbara Hammer's 'Superdyke Meets Madame X' (1975). 2021. Ohio University, Undergraduate thesis. OhioLINK Electronic Theses and Dissertations Center, http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1620157460893929.

    MLA Style (8th edition)

  • Plumley, Bailey. "Self-Inclusion of the Queer Body in Barbara Hammer's 'Superdyke Meets Madame X' (1975)." Undergraduate thesis, Ohio University, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1620157460893929

    Chicago Manual of Style (17th edition)