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THE IMPACT OF THE LIED ON SELECTED PIANO WORKS OF FRANZ SCHUBERT, ROBERT SHUMANN, AND JOHANNES BRAHMS

LIN, YUEH-RENG

Abstract Details

2004, DMA, University of Cincinnati, College-Conservatory of Music : Piano.
In the nineteenth-century, the German lied, with its subtle expression of poetry and its intimate lyricism, revealed individual expression and emotional content. The piano music in this era also raised a new approach to pianism and the aesthetic of German Romanticism. Composed by three masters in both genres, selected piano works including Schubert’s Wanderer Fantasia Op.15, Schumann’s Fantasie Op.17 and Waldszenen Op.82, and Brahms’s Sonata Op.5 in F Minor, demonstrate their innermost poetic quality, evident in their unique musical language, which is derived profoundly from the spirit of the lied. To explore the link between lied and piano music, the compositional background, and the thematic, harmonic and structural schemes of these works are analyzed in detail, along with the ways in which vocal music had an impact of these piano works.
Karin Pendle (Advisor)
102 p.

Recommended Citations

Citations

  • LIN, Y.-R. (2004). THE IMPACT OF THE LIED ON SELECTED PIANO WORKS OF FRANZ SCHUBERT, ROBERT SHUMANN, AND JOHANNES BRAHMS [Doctoral dissertation, University of Cincinnati]. OhioLINK Electronic Theses and Dissertations Center. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1101539626

    APA Style (7th edition)

  • LIN, YUEH-RENG. THE IMPACT OF THE LIED ON SELECTED PIANO WORKS OF FRANZ SCHUBERT, ROBERT SHUMANN, AND JOHANNES BRAHMS. 2004. University of Cincinnati, Doctoral dissertation. OhioLINK Electronic Theses and Dissertations Center, http://rave.ohiolink.edu/etdc/view?acc_num=ucin1101539626.

    MLA Style (8th edition)

  • LIN, YUEH-RENG. "THE IMPACT OF THE LIED ON SELECTED PIANO WORKS OF FRANZ SCHUBERT, ROBERT SHUMANN, AND JOHANNES BRAHMS." Doctoral dissertation, University of Cincinnati, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1101539626

    Chicago Manual of Style (17th edition)