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BEETHOVEN'S VARIATIONS WoO 76, OPP. 34, 35, AND 120: A COMPARATIVE ANALYSIS BETWEEN AND AMONG

HUNG, YU-SUI ESTHER

Abstract Details

2007, DMA, University of Cincinnati, College-Conservatory of Music : Piano.
In 1802 Beethoven made a striking declaration to his publisher that he had adopted a completely new manner in his two latest sets of piano variations, Opp. 34 and 35, and consequently numbered them among his greater musical works. Four sets of Beethoven’s theme and variations for solo piano from different stylistic periods are studied: WoO76 from 1799 has been regarded as a model of Opp. 34 and 35 in the mediant key relationships (Op. 34) and in the culminating movements—the adagio and fugal finale (Op. 35), which are, in his own words, completely new and different from his earlier variation works, in a manner anticipative of the Diabelli Variations, Op. 120. Stylistic features and development demonstrated from these four works, as well as Beethoven’s use of fugue in his variation form are discussed.
Dr. Robert Zierolf (Advisor)
82 p.

Recommended Citations

Citations

  • HUNG, Y.-S. E. (2007). BEETHOVEN'S VARIATIONS WoO 76, OPP. 34, 35, AND 120: A COMPARATIVE ANALYSIS BETWEEN AND AMONG [Doctoral dissertation, University of Cincinnati]. OhioLINK Electronic Theses and Dissertations Center. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1172509997

    APA Style (7th edition)

  • HUNG, YU-SUI. BEETHOVEN'S VARIATIONS WoO 76, OPP. 34, 35, AND 120: A COMPARATIVE ANALYSIS BETWEEN AND AMONG. 2007. University of Cincinnati, Doctoral dissertation. OhioLINK Electronic Theses and Dissertations Center, http://rave.ohiolink.edu/etdc/view?acc_num=ucin1172509997.

    MLA Style (8th edition)

  • HUNG, YU-SUI. "BEETHOVEN'S VARIATIONS WoO 76, OPP. 34, 35, AND 120: A COMPARATIVE ANALYSIS BETWEEN AND AMONG." Doctoral dissertation, University of Cincinnati, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1172509997

    Chicago Manual of Style (17th edition)