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The Interaction Between Poetic and Musical Caesurae in Six Settings of Elizabeth Barrett Browning's Sonnet XLIII

Cho, Soon Y.

Abstract Details

2011, DMA, University of Cincinnati, College-Conservatory of Music: Voice.
This study focuses on various musical settings of Elizabeth Barrett Browning’s Sonnet XLIII from the Sonnets from the Portuguese. The interaction between the poetic and musical caesuras is explored: the text settings in the musical examples do not always reflect the poetic caesura as indicated. Also considered is conceptualizing caesura as a dynamic compositional tool of which composers use as an effective way of expressing emotions. As caesura is an example of poetic silence, direct and indirect speech acts are performed in silence.
Thomas Baresel (Committee Chair)
Barbara Paver (Committee Member)
Mary Stucky (Committee Member)
51 p.

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Citations

  • Cho, S. Y. (2011). The Interaction Between Poetic and Musical Caesurae in Six Settings of Elizabeth Barrett Browning's Sonnet XLIII [Doctoral dissertation, University of Cincinnati]. OhioLINK Electronic Theses and Dissertations Center. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1299168299

    APA Style (7th edition)

  • Cho, Soon. The Interaction Between Poetic and Musical Caesurae in Six Settings of Elizabeth Barrett Browning's Sonnet XLIII. 2011. University of Cincinnati, Doctoral dissertation. OhioLINK Electronic Theses and Dissertations Center, http://rave.ohiolink.edu/etdc/view?acc_num=ucin1299168299.

    MLA Style (8th edition)

  • Cho, Soon. "The Interaction Between Poetic and Musical Caesurae in Six Settings of Elizabeth Barrett Browning's Sonnet XLIII." Doctoral dissertation, University of Cincinnati, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1299168299

    Chicago Manual of Style (17th edition)