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Recovering the Clavichord for the Modern Pianist

Muhlbock, Albert

Abstract Details

2012, DMA, University of Cincinnati, College-Conservatory of Music: Piano.
This document examines the history of the clavichord, explores similarities between clavichord and piano technique, and makes suggestions about the respects in which traditional principles of clavichord playing can improve the playing of pianists and piano students. For centuries the clavichord was considered the basis from which all other keyboard instruments could be approached. After a time of relative obscurity in the second half of the nineteenth century, followed by a revival in the twentieth century, the clavichord again enjoys enough dissemination and familiarity to resume that noble role. This study finds, through examination of ancient and contemporary sources, that especially a pianist’s sensitivity of touch and clarity of playing can be improved by playing the clavichord. Practical suggestions are also given. For future, extended versions of this thesis, please check www.albert-muhlbock.com.
Steven Cahn, PhD (Committee Chair)
Vivian Montgomery, DMA (Committee Member)
Jonathan Kregor, PhD (Committee Member)
93 p.

Recommended Citations

Citations

  • Muhlbock, A. (2012). Recovering the Clavichord for the Modern Pianist [Doctoral dissertation, University of Cincinnati]. OhioLINK Electronic Theses and Dissertations Center. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337263739

    APA Style (7th edition)

  • Muhlbock, Albert. Recovering the Clavichord for the Modern Pianist. 2012. University of Cincinnati, Doctoral dissertation. OhioLINK Electronic Theses and Dissertations Center, http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337263739.

    MLA Style (8th edition)

  • Muhlbock, Albert. "Recovering the Clavichord for the Modern Pianist." Doctoral dissertation, University of Cincinnati, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337263739

    Chicago Manual of Style (17th edition)