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Franz Liszt's Early Weimar Period Piano Waltzes

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2017, DMA, University of Cincinnati, College-Conservatory of Music: Piano.
The piano concert waltz genre had already been established by Carl Maria von Weber, who had expanded the traditional waltz by combining several sequential dances, adding an introduction and coda, and using the first waltz as a refrain to create a rondo-like form. Weber therefore elevated the waltz genre to a concert piece and influenced later composers like Chopin and Liszt. Liszt’s waltzes from the early 1850s are either based on the concert waltz type innovated by Weber or draw on previous compositions by Liszt and other composers.
Jonathan Kregor, Ph.D. (Committee Chair)
Michael Chertock, M.M. (Committee Member)
J. Conda, Ph.D. (Committee Member)
106 p.

Recommended Citations

Citations

  • Yin, W.-T. (2017). Franz Liszt's Early Weimar Period Piano Waltzes [Doctoral dissertation, University of Cincinnati]. OhioLINK Electronic Theses and Dissertations Center. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1512039499982505

    APA Style (7th edition)

  • Yin, Wei-Ting. Franz Liszt's Early Weimar Period Piano Waltzes. 2017. University of Cincinnati, Doctoral dissertation. OhioLINK Electronic Theses and Dissertations Center, http://rave.ohiolink.edu/etdc/view?acc_num=ucin1512039499982505.

    MLA Style (8th edition)

  • Yin, Wei-Ting. "Franz Liszt's Early Weimar Period Piano Waltzes." Doctoral dissertation, University of Cincinnati, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1512039499982505

    Chicago Manual of Style (17th edition)