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Dissertation Master formatted copy ETD4.pdf (691 KB)
ETD Abstract Container
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The Sense and Sensibility of The 19th-Century Fantastic
Author Info
Hanes, Stacie L
Permalink:
http://rave.ohiolink.edu/etdc/view?acc_num=kent1382975086
Abstract Details
Year and Degree
2013, PHD, Kent State University, College of Arts and Sciences / Department of English.
Abstract
While studies of fantastic literature have often focused on their structural and genre characteristics, less attention has been paid to the manner in which they address social issues and concerns. Drawing on theoretical, taxonomic, and historical approaches, this study argues that 19th-century England represented a key period of transformation during which fantastic literature evolved away from its folkloristic, mythic, and satirical origins and toward the modern genres of science fiction, feminist fantasy, and literary horror. The thesis examines the subversive and transformative function of the fantastic in nineteenth-century British literature, particularly how the novel Frankenstein (1831), the poem “Goblin Market” (1862), and the novel Dracula (1897) make deliberate uses of the materials of fantastic literature to engage in social and cultural commentary on key issues of their time, and by so doing to mark a significant transformation in the way fantastic materials can be used in narrative. Frankenstein took the materials of the Gothic and effectively transformed them into science fiction, not only through its exploration of the morality of scientific research, but more crucially through its critique of systems of education and the nature of learning. “Goblin Market” transformed the materials of fairy tales into a morally complex critique of gender relations and the importance of women’s agency, which paved the way for an entire tradition of such redactions among later feminist writers. Dracula draws on cruder antecedents of vampire tales and the novel of sensation to create the first modern literary horror novel, while addressing key emerging anxieties of nationalism and personal identity. Although historical connections are drawn between these three key works, written at different points during the nineteenth century, it does not argue that they constitute a single identifiable movement, but rather that each provided a template for how later writers might adapt fantastic materials to more complex literary, social, and didactic ends, and thus provided a groundwork for the more complex modern uses of the fantastic as a legitimate resource for writers concerned with not only sensation, but significant cultural and social concerns.
Committee
Kathe Davis, Dr. (Committee Co-Chair)
Margaret Shaw, Dr. (Committee Co-Chair)
Mark Bracher, Dr. (Committee Member)
Pamela Grimm, Dr. (Committee Member)
Donald Hassler, Dr. (Committee Member)
Linda Williams, Dr. (Committee Member)
Pages
183 p.
Subject Headings
Literature
Keywords
Christina Rossetti, Bram Stoker, Mary Shelley, vampires, goblins, Frankenstein, fantasy, fantastika, 19th-century fantasy
Recommended Citations
Refworks
EndNote
RIS
Mendeley
Citations
Hanes, S. L. (2013).
The Sense and Sensibility of The 19th-Century Fantastic
[Doctoral dissertation, Kent State University]. OhioLINK Electronic Theses and Dissertations Center. http://rave.ohiolink.edu/etdc/view?acc_num=kent1382975086
APA Style (7th edition)
Hanes, Stacie.
The Sense and Sensibility of The 19th-Century Fantastic.
2013. Kent State University, Doctoral dissertation.
OhioLINK Electronic Theses and Dissertations Center
, http://rave.ohiolink.edu/etdc/view?acc_num=kent1382975086.
MLA Style (8th edition)
Hanes, Stacie. "The Sense and Sensibility of The 19th-Century Fantastic." Doctoral dissertation, Kent State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1382975086
Chicago Manual of Style (17th edition)
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Document number:
kent1382975086
Download Count:
2,514
Copyright Info
© 2013, all rights reserved.
This open access ETD is published by Kent State University and OhioLINK.