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Gorman_Caitlin.pdf (1.93 MB)
ETD Abstract Container
Abstract Header
Yasumasa Morimura: Appropriator of Images, Cultures, and Identities
Author Info
Gorman, Caitlin Marie
Permalink:
http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363520942
Abstract Details
Year and Degree
2013, Master of Arts (MA), Bowling Green State University, Art/Art History.
Abstract
Japanese contemporary photographer Yasumasa Morimura (b. 1951) appropriates Western imagery from art history, film, and media, recreating the scenes by inserting his own male Asian body into them. The scholarship regarding Morimura often acknowledges one feature of the works, emphasizing the artist’s use of appropriation and the feminist quality of the work or its post-colonial nature. Such an approach does not address the multi-faceted quality of his works or offer a holistic look at the dialogues that the images create. This paper addresses those issues by combining the critical approaches to his work through the study of photographs from his Daughter of Art History series. Employing post-colonial, feminist, and queer theories, three case studies focusing on Morimura’s photographs and the commentary created by them are included. The first case study analyzes Morimura’s Portrait (Futago), in which the artist reimagines Edouard Manet’s famed Olympia, commenting upon many post-colonial and feminist issues. The second case study examines Morimura’s Doublenage (Marcel), a photograph recreating Man Ray’s photograph Marcel Duchamp as Rrose Selavy, focuses on issues such as gender theory and queer theory. The third case study investigates Morimura’s interest in the Mexican artist Frida Kahlo, exploring the realm of self-portraiture, gender theory, and the identity crisis that both faced. Through this approach to the artist’s work, it is seen that all of these theories are deeply connected to Morimura’s work due to his identity as an Asian male artist living in a post-colonial era.
Committee
Andrew Hershberger, PhD (Committee Chair)
Stephanie Langin-Hooper, PhD (Committee Member)
Pages
60 p.
Subject Headings
Art History
;
Asian Studies
Keywords
Yasumasa Morimura
;
Appropriation
;
Contemporary art
;
Photography
;
Post-colonial
;
Feminist
;
Self-Portraiture
;
Identity
;
Gender performance
;
Edouard Manet
;
Marcel Duchamp
;
Frida Kahlo
Recommended Citations
Refworks
EndNote
RIS
Mendeley
Citations
Gorman, C. M. (2013).
Yasumasa Morimura: Appropriator of Images, Cultures, and Identities
[Master's thesis, Bowling Green State University]. OhioLINK Electronic Theses and Dissertations Center. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363520942
APA Style (7th edition)
Gorman, Caitlin.
Yasumasa Morimura: Appropriator of Images, Cultures, and Identities.
2013. Bowling Green State University, Master's thesis.
OhioLINK Electronic Theses and Dissertations Center
, http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363520942.
MLA Style (8th edition)
Gorman, Caitlin. "Yasumasa Morimura: Appropriator of Images, Cultures, and Identities." Master's thesis, Bowling Green State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363520942
Chicago Manual of Style (17th edition)
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Document number:
bgsu1363520942
Download Count:
29,381
Copyright Info
© 2013, some rights reserved.
Yasumasa Morimura: Appropriator of Images, Cultures, and Identities by Caitlin Marie Gorman is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Based on a work at etd.ohiolink.edu.
This open access ETD is published by Bowling Green State University and OhioLINK.