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Viewing the Long Take in Post-World War II Films: A Cognitive Approach

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2008, Master of Arts (MA), Ohio University, Film Scholarship (Fine Arts).
The goal of this thesis is to investigate the effect of long takes that appear in the films made after WWII. To demonstrate how these long takes provides the effects, this thesis employs two different approaches. The first approach synthesizes previous film studies' descriptions about three characteristics of long takes in post-WWII films. The second approach uses the discoveries from experimental psychology to discuss how spectators' attention functions while viewing these long takes. By comparing these two different approaches, this thesis also points out that cognitive film studies are valuable because they are able to illustrate the long-take viewing experience of spectators in general rather than only film scholars, who are the dominated voice in interpreting the effect of long takes in post-WWII films.
Ruth Bradley, PhD (Advisor)
Arthur Zucker, PhD (Committee Member)
Alessandra Raengo, PhD (Committee Member)
71 p.

Recommended Citations

Citations

  • Chang, H.-N. (2008). Viewing the Long Take in Post-World War II Films: A Cognitive Approach [Master's thesis, Ohio University]. OhioLINK Electronic Theses and Dissertations Center. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1227302639

    APA Style (7th edition)

  • Chang, Hsin-Ning. Viewing the Long Take in Post-World War II Films: A Cognitive Approach. 2008. Ohio University, Master's thesis. OhioLINK Electronic Theses and Dissertations Center, http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1227302639.

    MLA Style (8th edition)

  • Chang, Hsin-Ning. "Viewing the Long Take in Post-World War II Films: A Cognitive Approach." Master's thesis, Ohio University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1227302639

    Chicago Manual of Style (17th edition)