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ETD Abstract Container

Abstract Header

The Piano and Wind Quintets of Mozart and Beethoven: Reception and Relationship

Zajkowski, Roberta
http://rave.ohiolink.edu/etdc/view?acc_num=osu1275422871

Abstract Details

2010, Doctor of Musical Arts, Ohio State University, Music.
The unusual instrumentation of Wolfgang Amadeus Mozart’s Quintet, K. 452, and Ludwig van Beethoven’s Quintet, op. 16, has led many scholars to consider these two works together. Recent scholarship, however, has shed new light on the history of these two works and their relationship to one another. The evidence will show that while Beethoven almost certainly based his Quintet on Mozart’s Quintet, the true relationship between the two is more complicated than scholars used to think. Moreover, recent scholarship has argued for the canonic status of Mozart's Quintet and the intrinsic worth of Beethoven's.
Bruce Henniss (Advisor)
Timothy Leasure (Committee Member)
Russel Mikkelson (Committee Member)
Lois Rosow (Committee Member)
Music
Mozart K. 452; Beethoven op. 16; piano and wind quintet

Recommended Citations

Citations

  • Zajkowski, R. (2010). The Piano and Wind Quintets of Mozart and Beethoven: Reception and Relationship [Doctoral dissertation, Ohio State University]. OhioLINK Electronic Theses and Dissertations Center. http://rave.ohiolink.edu/etdc/view?acc_num=osu1275422871

    APA Style (7th edition)

  • Zajkowski, Roberta. The Piano and Wind Quintets of Mozart and Beethoven: Reception and Relationship. 2010. Ohio State University, Doctoral dissertation. OhioLINK Electronic Theses and Dissertations Center, http://rave.ohiolink.edu/etdc/view?acc_num=osu1275422871.

    MLA Style (8th edition)

  • Zajkowski, Roberta. "The Piano and Wind Quintets of Mozart and Beethoven: Reception and Relationship." Doctoral dissertation, Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1275422871

    Chicago Manual of Style (17th edition)

osu1275422871
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This open access ETD is published by The Ohio State University and OhioLINK.