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MOTIVIC STRUCTURE IN THE CHORALE-BASED ORGAN WORKS OF SIR CHARLES HUBERT PARRY: AN ANALYTICAL SURVEY

FLEURY, W. LEIGH

Abstract Details

2007, DMA, University of Cincinnati, College-Conservatory of Music : Organ.
The primary focus of this document is an examination of the similarities and differences between Hubert Parry and J. S. Bach’s organ chorale settings in one of the areas of closest link: the use of motives. Parry and Bach’s use of motives is compared and contrasted by means of a motivic analysis of Parry's seventeen chorale-based organ works. Additionally,this document emphasizes that while both composers regularly derive motives from the chorale tune and consistently implement them in their pieces to create coherence and in some instances affect, Parry’s motivic style and method of implementation is distinct from Bach’s.
Dr. Roberta Gary (Advisor)
180 p.

Recommended Citations

Citations

  • FLEURY, W. L. (2007). MOTIVIC STRUCTURE IN THE CHORALE-BASED ORGAN WORKS OF SIR CHARLES HUBERT PARRY: AN ANALYTICAL SURVEY [Doctoral dissertation, University of Cincinnati]. OhioLINK Electronic Theses and Dissertations Center. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1177425004

    APA Style (7th edition)

  • FLEURY, W.. MOTIVIC STRUCTURE IN THE CHORALE-BASED ORGAN WORKS OF SIR CHARLES HUBERT PARRY: AN ANALYTICAL SURVEY. 2007. University of Cincinnati, Doctoral dissertation. OhioLINK Electronic Theses and Dissertations Center, http://rave.ohiolink.edu/etdc/view?acc_num=ucin1177425004.

    MLA Style (8th edition)

  • FLEURY, W.. "MOTIVIC STRUCTURE IN THE CHORALE-BASED ORGAN WORKS OF SIR CHARLES HUBERT PARRY: AN ANALYTICAL SURVEY." Doctoral dissertation, University of Cincinnati, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1177425004

    Chicago Manual of Style (17th edition)